主题：一件活生生的世界杰作——华丽的帝王绿玉碗微缩景观，其中包含一个神圣的泉水神龛景观。玉碗以有机融合的切口打开，玉边无缝地结晶成活生生的地貌——新鲜的草地、分层的根系、苔藓网络、开花植物和土壤——使器皿与世界之间的边界在视觉上连续且几乎无法区分，展现了一个极其精致的微缩领域，其特色是雕刻精美的木制神龛、高低错落的樱花树、清澈蜿蜒的溪流和踏脚石、铺满花瓣的小径、神龛灯笼、神圣的绳索细节、飘落的花瓣，以及活跃生命的微妙迹象。 环境：玉碗置于一个柔和照明的画廊风格中性空间内，摆放在精致的博物馆基座上。碗内是一个完全动态的春季生态系统，具有多变的地形高度、簇拥的樱花树、裸露的树根、花粉雾霾、微弱的薄雾区域和可信的环境分层。最高的树木和神龛屋顶被有意地构图在画面内部，上方留有可见的净空，以确保没有任何剪裁。 风格：超精细、超细节的超现实主义，带有活跃的环境叙事，受东亚帝国启发的文物美学，杰作玉雕器物设计，电影宏观微缩摄影，极其精确的植物真实感，物理上合理的生态细节，强大的视觉层次，Premium Nano Banana Pro 优化的活生世界密度。 光线：初春清晨的光线透过花冠滤过，柔和的体积光线照亮飘落的花瓣和花粉，微妙的边缘光线捕捉半透明的玉石边缘和矿物深度，精致温暖的神龛灯笼光芒带来情感焦点，平衡的曝光保留玉石的半透明性和地形的微观细节。 相机：精心构图的四分之三正面博物馆展示角度，对准融合的开口，略微抬高的微距视角最大化地形可读性，同时将整个碗和所有树木完全框入图像中，最高树枝上方留有充足的垂直呼吸空间，电影般的微缩景深聚焦于神龛入口和溪流交汇处，70–100mm 微距等效镜头感。 材质：大师雕刻的帝王绿玉碗，具有深翡翠色调变化，天然矿物纹理，较薄雕刻区域的微妙半透明性，玉石上抛光的超细雕刻花朵和云朵图案，切口过渡有机地演变为分层土壤地层、苔藓网络、缠绕的根系和活生生的地被植物，使玉石看起来自然地融入景观。 构图：神龛沿神圣的视觉轴线略微偏离中心，溪流以优雅的 S 形蜿蜒，引导视线向内，分层的花枝形成上方框架，但完全包含在内。
Subject: a living-world masterpiece ornate imperial green jade bowl diorama containing a sacred spring shrine landscape, the bowl opened with an organic blended cutaway where the jade rim seamlessly crystallizes into living terrain — fresh grass, layered roots, moss networks, flowering plants, and soil — making the boundary between vessel and world visually continuous and almost indistinguishable, revealing an exquisitely detailed miniature realm featuring an intricately carved wooden shrine, layered cherry blossom trees of varied heights, a crystal-clear winding stream with stepping stones, petal-covered paths, shrine lanterns, sacred rope details, drifting petals, and subtle signs of active life Environment: the jade bowl rests on a refined museum pedestal in a softly lit gallery-style neutral space, inside the bowl exists a fully dynamic spring ecosystem with varied terrain height, clustered blossom trees, exposed roots, pollen haze, faint mist pockets, and believable environmental layering, the tallest trees and shrine roofs are intentionally composed fully inside the frame with visible headroom above them to ensure nothing is clipped Style: ultra-refined hyper-detailed surreal realism with active environmental storytelling, imperial East-Asian-inspired artifact aesthetic, masterwork jade carving object design, cinematic macro miniature photography, extremely precise botanical realism, physically plausible ecological detail, strong visual hierarchy, premium Nano Banana Pro optimized living-world density Lighting: luminous early-spring morning light filtering through blossom canopies, gentle volumetric rays illuminating drifting petals and pollen, subtle rim lighting catching translucent jade edges and mineral depth, delicate warm shrine lantern glow for emotional focus, balanced exposure preserving jade translucency and terrain micro-detail Camera: carefully composed three-quarter frontal museum presentation angle aimed into the blended opening, slightly elevated macro viewpoint maximizing terrain readability while framing the entire bowl and all trees completely within the image, generous vertical breathing space above the highest branches, cinematic miniature depth of field focused on shrine entrance and stream crossing, 70–100mm macro-equivalent lens feel Materials: master-carved imperial green jade bowl with deep emerald tonal variation, natural mineral veining, subtle translucency along thinner carved regions, ultra-fine engraved blossom and cloud motifs polished into the jade, the cutaway transition organically morphs into layered soil strata, moss networks, intertwined roots, and living ground cover so the jade appears naturally formed into the landscape Composition: shrine positioned slightly off-center along a sacred visual axis, the stream curves in an elegant S-shape guiding the eye inward, layered blossom branches create overhead framing but remain fully contained withi
